donderdag 16 juni 2011

[A901.Ebook] Download Ebook Couples Therapy, Second Edition, by Linda Berg Cross

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Couples Therapy, Second Edition, by Linda Berg Cross

Couples Therapy, Second Edition, by Linda Berg Cross



Couples Therapy, Second Edition, by Linda Berg Cross

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Couples Therapy, Second Edition, by Linda Berg Cross

Harness the power of an integrative approach to couples counseling!

Why do marriages fail? The behaviorist or cognitive therapist explains that unhappy couples have self-defeating ways of thinking about their spouses and themselves. The sociologically oriented counselor points to the impact of social trends and dramatic changes in child-rearing and social expectations. A therapist oriented toward psychodynamics or systems theory sees the destructive patterns of childhood replayed in the marriage, with spouses taking on rigid roles. The pastoral or humanist counselor believes that partners who cannot experience self-fulfillment through commitment and trust will feel less love and grow more and more disconnected. Couples Therapy, Second Edition, brings together all these points of view to make a unified whole.

This integrative approach proposes a new model of successful marriage based on four cornerstones: resiliency, social support, adaptability, and self-fulfillment. Weaving together theory and research, Couples Therapy, Second Edition, explores how common issues can lead to trouble in relationships. It suggests specific interventions so therapists can teach clients to deal with such problem areas as anger management, domestic violence, depression, anxiety, parenting conflicts, in-laws, work pressures, and sexual dissatisfaction.

Couples Therapy, Second Edition, offers a sound theoretical framework as well as practical ideas. Through clinical vignettes and up-to-date research, it makes the common conflicts and developmental stages of marriage so understandable that it can be profitably read by clients as well as counselors. Its invaluable resources for the couples therapist include:

  • end-of-chapter professional development questions
  • therapeutic exercises
  • answers to frequently asked professional and ethical questions
  • intervention suggestions for the therapist
  • self-assessment questionnaires
  • book and video recommendations on each chapter topic
Written in clear, readable prose, Couples Therapy, Second Edition, offers practical help for the experienced clinician as well as theoretical overviews for the counselor in training.

  • Sales Rank: #1375375 in eBooks
  • Published on: 2013-12-16
  • Released on: 2013-12-16
  • Format: Kindle eBook

About the Author
Marcia Hill, EdD, is in private practice in Vermont. She has edited ten books about various aspects of feminist therapy and is the author of "Diary of a Country Therapist" (1994).

Most helpful customer reviews

6 of 6 people found the following review helpful.
Comprehensive and very interesting book!
By Andreas Fellner
I can really recommend this book! Being a psychologist myself, I have always been on the alert for integrative approaches to couples therapy. This book is one of them! The author skillfully blends psychological theories and studies with her daily experience as a therapist. Especially interesting are the following features:
- A solid foundation in research findings
- Case studies with illuminating therapist interventions
- Self explorations
- Sample Workshop charts (if you decide to teach parts of the book in a workshop)
- A comprehensive bibliography both for couples and therapists
- An eclectic approach, integrating cognitive-behavior, sociocognitive, psychodynamic and humanistic therapy approaches
If you need suggestions for working with couples, I am sure you will find some of then in this book. Taking everything together, Linda Berg-Cross truly succeeded in writing a comprehensive book about couples therapy!

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woensdag 15 juni 2011

[L616.Ebook] Get Free Ebook The Vampire Diaries: The Hunters: Destiny Rising, by L. J. Smith

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The Vampire Diaries: The Hunters: Destiny Rising, by L. J. Smith

Destiny Rising is the gripping conclusion to the Hunters arc in the New York Times bestselling series, created by L. J. Smith, which also inspired the hit CW TV show The Vampire Diaries.

Elena Gilbert has never been an ordinary teenager. In love with the irresistible vampire brothers Stefan and Damon, she has died, been brought back to life, fought evil, and journeyed to hell and back to save Stefan. Now her most dangerous enemy, Klaus, has returned, and Elena realizes she must make a terrible sacrifice to protect her world . . . and fulfill her destiny.

  • Sales Rank: #210924 in Books
  • Published on: 2013-10-22
  • Released on: 2013-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .94" w x 5.31" l, .0 pounds
  • Binding: Paperback
  • 416 pages

From the Back Cover

Destined for danger . . .

Elena has faced countless challenges, but nothing compares to balancing her complicated relationships with Stefan and Damon Salvatore. Stung by her reunion with Stefan, Damon has become dark and unpredictable. As Elena struggles to save Damon's soul and stay true to Stefan, one of her most deadly enemies returns. Klaus is back and will stop at nothing to destroy Elena—and everyone around her.

To defeat him, Elena will have to sacrifice someone she loves. Elena must decide how much—and who—she's willing to give up before it's too late. . . .

About the Author

L. J. Smith has written over two dozen books for young adults, including The Vampire Diaries, now a hit TV show. She has also written the bestselling Night World series and The Forbidden Game, as well as the #1 New York Times bestselling Dark Visions. She loves to walk the trails and beaches in Point Reyes, California, daydreaming about her latest book.

Most helpful customer reviews

57 of 60 people found the following review helpful.
What Destiny? (Warning!! Spoilers!!)
By Kindle Customer
Let me start off by saying that the only reason I FINISHED reading this book was because I am curious by nature and wanted to know how the ghost- writer would bring the pieces in the middle in alignment in order to end up with Elena's words being, "Through everything, Stefan will be by my side." Having seen how the last two books finished, I was dreading the end to this one. Sadly, the predictions of L.J. Smith that I read online turned out to be completely true. As I read the first several chapters of this book I realized that-- true to rumor-- Alloy Entertainment would finally get their way. Yes, Stefan and Elena are together-- forever. If it was only the fact that the ghost-writer had made Elena choose between two excellent options, I would not be so upset over the ending, but that's not the case. Let us review what has been done here...

First off, the characters in the last three books have become unrecognizable and no longer compare to Smith's original creations. Allow me to explain what I mean by this. From the beginning we saw through L.J. Smith that there was a lot more depth to each of her characters than what originally met the eye. Elena started off as a stuck-up girl who eventually developed into a strong heroine. She loved more than she should have, but her humanity is what led us to see the virtue in her.

Stefan began as a love-sick, broken (and struggling) vampire who wanted to find a way to earn his salvation back. He was always good, but to the fault of being a martyr, except for the time he nearly killed his brother after he believed Elena to be dead. He inspired his fans to be chivalrous even when it was tough. He was willing to fight for Elena, but also willing to sacrifice everything for the good of all involved. (Even if it meant that he would be alone forever.)

Damon was angry from the very beginning, but still reeling from the loss of Katherine, just as his brother. As someone who'd tried to bury his humanity a long time ago, we saw that he wanted to change but didn't know how until he met Elena. Through L.J. Smith we saw him slowly transform into the man we always thought he could be-- caring, compassionate, and loving. At first we thought he was everything that Stefan was not, but as the story continued we began to understand that they were more alike than we initially assumed. While Damon was convinced that human blood was the only way to survive, he also believed in kindness and mercy (with a few exceptions when he was possessed, etc.). He was aloof at first, but his desire to be accepted and loved finally won out in the end. Elena showed him what it meant to love another, truly, and be loved in return.

Matt was always the good, all-American, gentleman through and through. He held Elena on a pedestal from the beginning, but eventually learned to let her go. He was broken so many times by the way she loved others but only thought of him as a friend. It seemed as though he was destined to be alone forever.

Meredith was strong, courageous, and spirited. She was willing to give vampires a chance to prove themselves, despite her upbringing as a hunter/slayer. She was guarded and wary, but accepting of people once they proved trustworthy. Even in Damon, who she saw as a force for evil instead of good at first, she found a surprising ally. She took each adventure in stride and was always willing to back up her friends, even to the point of laying down her own life. Klaus had ruined her life and created a half-vampire out of her as a toddler, but still she stayed strong.

Bonnie was a child, barely on the brink of adulthood. Her mind was innocent, despite the evil around her. She was far too trusting and willing to see the good in everyone-- even when they didn't deserve it. She was a little boy-crazy and flighty, but her heart was made of gold. Even when she developed feelings for Damon she knew that she could never cross the line with him because of the connection he had with Elena. And being the loyal friend that she was, Bonnie would never do anything to hurt any of her friends.

So what did the ghost writer do differently? She started by changing the dynamic between several of the central characters. And not only did she change their dynamics with one another, she also changed their personalities.

At the end of The Return: Midnight, Stefan was ready to let Elena go and move on. Elena had realized that she truly had loved Damon...maybe even more than she'd loved Stefan. Damon had died showing Elena that he truly loved her and truly making peace with his brother (before awakening on the moon). Matt and Meredith had become close friends and now understood that nothing else could be between them. And Bonnie was comforted by Stefan and Elena after the loss of Damon from their lives, but seemed strong enough to continue.

In The Hunters: Phantom, the ghost writer brings back Damon as originally intended, only to make Elena choose Stefan over Damon again. She'd loved him, wanted him, wished for him, mourned his death, and then when he DOES come back she pretends like she doesn't care for him at all. Within Phantom, Moonsong, and Destiny Rising, we see her continue to push him away even to the point of causing his near death. She pretends like nothing happened between them in Shadowed Souls and Midnight. She pretends as though she's only ever loved Stefan. The ghost-writer dangles a couple of chapters in the readers' faces when she has Damon and Elena have one dinner together before forcing Elena back with Stefan. The ghost-writer completely changes the dynamic between Elena and Damon and changes Elena's character.

Stefan watches Elena's behavior with Damon and just pines after her. Although this may be typical Stefan martyr behavior, he should have stepped aside as soon as Damon came back from the Dark Dimensions.

Bonnie goes from wishing Damon would show her some notice to not caring about him at all, and being just some side-character whose use appears to be providing the group with magic. It seems that she is no longer an integral part of the team. In fact, the only real honorable mention she gets is when she teams up with Zander and becomes a werewolf groupie. I will say, it was good for her to have a love interest other than Damon, but she became more of a side-story and less of a focal point for the remaining 3 books.

Meredith goes from being a half-vampire who needs blood every so often to being a normal teenage girl (with the exception of the hunter/slayer training). Only in the third book of The Hunters does the ghost-writer even address the fact that she was ever a half-vampire, and then it's only in passing. The ghost- writer took what L.J. Smith wrote about the work of Klaus being reversed and made it so that Meredith was no longer a half-vampire, and her brother was no longer a vampire. This does not make sense for two reasons: 1) Elena was talking about all the stuff Klaus did AFTER he came BACK, not the first time he came to Fell's Church. 2) The Guardians were able to change the deaths of two people, but it was clear from the previous books that not even they could reverse the change of a human into a vampire. Only the Kitsune magic could do that-- thus the roses of the Seven Treasures Gatehouse. This new storyline was poorly thought out and executed.

And then there's Matt... The one person that had yet to find true love-- the one person who pined after Elena for years-- finally meets a girl that he falls in love with only to have her DIE. So technically this didn't really alter Matt's character, so much as this just sucked. Instead of being angry or feeling betrayed at how Damon behaves in Destiny Rising, Matt's character completely ignores the situation with Elena. This is quite uncharacteristic of him, even if he was in love with someone new.

Elena's Guardianship is also something that was completely changed. The ghost-writer makes it seem as though Elena's parents knew all along. She created different levels of Guardianship and gives Elena powers that were never part of the original Guardian idea. The ghost-writer doesn't even bother mentioning the Wings of Power and whether or not Elena will ever have use of them again. She makes Elena out to be a Mage with "powers derived from Nature" instead of a Guardian in the way she was originally portrayed. Elena keeps telepathy, but only with Stefan? And having this plotline develop where Katherine and Elena are half-sisters is completely ridiculous!

Katherine also changes-- when resurrected by the ghost-writer--and she suddenly becomes somewhat sane again. She no longer harbors bitterness toward Damon or Stefan and somehow knows before Elena does that they are now "half-sisters".

And finally to wrap this up, none of these characters had any depth or feeling to them as they had when L.J. Smith was writing the series. It's as though the ghost-writer was just writing an essay on how all the pieces fit together without putting any thought or feeling into it. She butchered the characters and their plot lines, and then created a hack-job ending hoping to wrap everything back up.

So would I recommend it? NO. The only reason I gave this book ONE star is because it's required to make a rating. Alloy Entertainment made the biggest mistake of this series by firing L.J. Smith and hiring a ghost-writer hack to finish it in her place. Congratulations! You got your Stefan and Elena ending...but at what cost? Clearly someone at the top had to get their way, but I still don't understand why they had to butcher a perfectly good series to do it!

17 of 17 people found the following review helpful.
She picked Stefan AGAIN and is with him. its horrid even for SE (spoilers)
By Amazon Customer
I have spoilers through here. Ok look, first you cannot ignore the return series came first. This series tries to undo that. YOU CAN'T. I do not like these characters. At all. Even an SE ending would be ok, but this lacks anything similar to who we love. Too much too late and that is my opinion. Ok, I'll be critical in the way that some may feel having read the original series and the rest. This doesn't mean I hated it, but will show the strong with the weak. Here it goes!

"Good read" in its flow, but climax falls short after a pretty good build. This was frustrating to me as I was happy for something big to occur and then it was over after all of that. The premise was good, but again the author tries to undo older books, and it sounds like the TV series too much. Elena's part was kind of dull in comparison to how she was in the return series 'all powerful'. If you had read this and not the other part of the return, it would have been better than the Wings-Make sense? It is like a 'flower blooming' was so spot on without being all out there. New author did a better job, yet the story itself didn't lend itself to this plot. Why is she coming back into powers when they were stripped? That makes no sense. And why are her powers so weak now?

She'd had abilities before (in the return she was brought back with them) without the reason they said...then kind of changed in a way it didn't make sense. She had to earn them and they were so off from before....I was like huh? These changes were not congruent with her previous ways/powers. Bam suddenly she grew up? I felt more in the today then I ever have which was neat. It didn't have a nineties feel to it. Mystery as always was good, but was rushed in my opinion. I felt that with the others too. Of the three this is the best hands down, but it lacks the real beauty of the original series that both worked on together. think this is the editor? of the first series. There is no way with words, no spark, but there is constancy a simplicity with good build. Of course I can't fathom a writers conception so forgive my critique. Even still I can't want to like it. I didn't like how it was handled enough to care where Stefan and Elena go. I love Damon so that's that. And her seriously kills someone again. If the tv show and this are the same,forget it. Damon on tv is a shadow of who he was in the first three books.

As this is a conclusion to the hunters...it would have been better had nothing been pre-written as I have said before as it's own story (without the return series). Elena's love, that was once equal, destroyed her character for many people. So she blew up a moon in her rage and grief but lets him go as easy as she had without never dealing with her feelings. And then goes back on that love as if it never happened. There is a term for girls like that. And WOW, that is horrid of her. Go guard some thing else, Elena, you are a hallow husk of a girl.

And he STILL has a piece of her? It's silly so just stop it. It doesn't feel like he was loved in a way that would make it change him. Even if she didn't love him, which made no sense. This is more whacky than if they tried it out and broke up. If the publishers were worried about the way a teen girl would see this, I am telling you I would not let my daughter read it as it ended. She never deals, she never feels and she never grew. A choice is not growing. The words are there but no. That would be closure for her but she never has it (how many times had she nearly lost Stefan at this point?). How is this epic love when you fall in love- or use someone- in place of his brother. How can he even want to be connected to her after that. Unrealistic. Was there no better way to do this? Perhaps I am overly critical, but many people love Damon and he is always the fall guy. I know he is not perfect, and he got in the way of SE, but he is a GOOD character. Now he is forced to be Stefan 2.0 if you look at the whole bond thing. We didn't want that, but thanks. Is that any better than realizing you accidentally fell in love with someone else and decided to go on your own and be a real woman about it? Stefan was a floor mat yet he's in more action which was good. Elena is as always in peril and never as strong. I miss her being strong and witty.

Yet many SE fans may feel she redeemed herself to a degree. That is good consistency again too from the last book at least. I was let down that she basically used him all this time for what was a lousy explanation of 'family'. I was glad to see she stuck it through with Stefan, but I felt so empty after reading it. Despite her best efforts, Elena is not a good person to me. But then she wasn't to many SE fans rightly so for her involvement with Damon. Damon irritated me in this book. It was like he became TV Damon and that is not Damon. To each his own. I tried it LJ and I am done. This is like the tv show, and I'd rather have books 1-3 stay fresh in my mind. Elena was a girl who was a snob, but she grew up, she died for those she loved. And while she fell for both boys, she wanted them to be family over wanting to get between them.

I am glad she 'grew up', but LJ made many mistakes (and I love her) but others have said that too and they carried over. All of these vampires resurrection made Damon's death stupid. The guardian's look stupid. This forced the new writer to fix and change stuff. This is why it rates low-i feel empty still. The story at the end of the day for this OK did all it could do, it did it well, but you cannot really fix it. not without ignoring one part for the other. So I did mention the continued problems. And I agree but it came over from that series to this one and should have been changed. Example-Kathrine has memories though she was dead. Weren't they supposed to go out (aside Elena who was a guardian)? This hardened female (Kat) did a 180 and I felt like saying 'seriously.'....thought vampires just went out. Another TV allusion.

It makes it hard to read and follow, especially the time lapse. The author did try to explain this with Meredith explaining the changes to Christan, but here we go with the SIRE bond. And Klaus. Again. Thought Damon forgot himself...that was frustrating but not as much. There was a lot of thought put into it which made me feel good at the effort but I still threw it against the wall. The other thing is you kind of have this sire thing going on all over with Original crap. Now everyone is bound. Elena must have been smitten with Damon because of that. Oh really....? Which made me think back to when Elena was turned the first time. Her infatuation to Damon is kind of explained logically. Nothing about Bonnie's professed death, nothing of the midnight dinner DE fans. Just Elena was most likely implied as being turned by him since she was most effected by him right after. It was obvious they wanted to tear any Bamon and Delena out of the plot. Thanks from the fans, you ruined it for us. Even SE was hard to take after the way it was done. I care not that it was done, just the way all of this was done. Again, my opinion.

This author did the best she could reworking it, which I give credit for. Elena in the first three was just a person you either liked or hated. Now I detest her as anyone on the other may have for leading one of two bothers on. The guardian thing she did with her in this part was hands down wonderful. My issue is that it doesn't work in with other books. You do get the feel Elena had to grow up, but its too much to late. I just wish this had been its own series. it would have fared much better. These two-if put together-are awesome. You'll notice many tv related terms like Original wolf... Sorry DE fans, this is all about SE and Elena. It almost seems like the return never happened, yet some things are brought back-oddly.That actually ticked me off. Christan was a great example of that. I was like-why? Same with Matt. Katherine seriously made me feel like the tv show will be the same way and its not worth being a DE fan at this rate. Even the 'piece of me' thing at the end was a bone to us for nothing. Just let it die if it will. It makes no sense as to why that was even said. DE fans do not want a connection if he was used and loved her. And unrequited again? From equal to that? She picked Stefan let it just stand already- no connection no nothing. Even his actions in the first part per like 'really'? 180 there too.He never seemed to change though I was getting what was being given to me I couldn't swallow it. because it was too fast. Man, makes me so frustrated that this was not its own series with diff characters. None of them are the remotely the same.

Spoilers:
Damon and Elena are tied by life. If he kills she dies. They set her out to kill him, she tries to get round it. She loves him as family.
Damon allows histie to her to make sure that he cant even compulse people. (So he is Stefan 2.0)
Elena's blood drank by old creatures kills them. Margret could be the same.
Elena's sister is like her but here's a new one for ya: Elena has a new sister!-Katherine. yup. she's all sweet about it too "I had ime to think when I was dead"-so you never went out as vampires were supposed to? AGAIN! CAn we at least get new people and not rez an old plot? c'mon.
Elena became a guardian-her first task was to kill Damon-she couldn't this see above as a result (they get tied to assure this)
Katherine rez'd by Klaus too. He never notices she isn't therwhen he fights in one scene, and what she does while there? oh and she doesn't kill now.
Katherine harbors no hate towards Elena or Stefan and Damon.
Elena's mom rejected her guardianship but her children were to have blood that would kill old ones. he wrote a sad note about leaving Katherine behind to keep her safe, how the guardians didn't want her b/c she was sick and didn't think she would make it to her age of power. Ten she got turned.
Both brothers essentially loved each sister. and both sisters picked Stefan.-that was crazy. I did not like this aspect. (It reminded me of Damon and Isobel from tv)
Elena's Mom was a prime guardian
All three sisters blood could have killed Old ones only As long as friend of the family Judith keeps custody of kids-they are protected until they CHOSE which path
Elena's Mom defected, her best friend protected the girls until they were old enough to choose. they are not real family. That was cool as you read it. you get the sense of love there. only spark I felt all book.
Klaus re-turned Christan and Meridith had to kill him. Another sire bond which is getting unfathomably old as originals.
all supers remember both timelines, norms do not
Tyler and Caroline still had kid twins and were together working it out. she was remorseful for her previous actions and thought more about her kids than herself.
Damon will visit far away to put space between himself and Elena. It huts he truly fell in love with her. he and Elena have a piece of one another-a connection-but Elena denotes she is not in love but he has a piece of her forever?
Bonnie and Zander stay strong
Elena drinks that vial of eternity to live forever with Stefan once she is sure of who she is
Matt looses chloe who cannot live as a vampire and kills herself.

My favorite character ended up sucking (j.i.m.o.)and I wish for some of LJ and her crazy ideas just because she had that spark. She needed a better editor really. I will miss old Damon and I gave the series a full shot. He was not meant to be great or bad, not violent and not what he came to be. I loved her version best, even if the return was not my fav series. I hope they can end the series with Elena and Stefan and be done with it. Something new, fresh and exciting. After being overly crictical,I do wat to say it was decent read, it had consistency from its start -The hunters series_but not with the return series.

Some of these things were ridiculous and still don't pan out right from the return series. Overall it is very thought provoking and a lot of detail and time to closing off loose ends. Major effort that needs applauding for. SE fans enjoy the reward you got your ending :) And Damon will go off on his own. DE fans sad day for us, pointless as to why she was even with him that sucks worse than ever. You can't really undo them right? Half or a third of the fans will be sad, but it was wrapped up the best way possible. Sorry Bamon fans!

It wasn't really tacky as I expected. Climax left a bunch to be desired but the build up was good. Still host a lack of spark LJ Smith had, but its a diff author and we cannot really fairly compare. This author is a strong writer, but I failed to see the passion. S&E felt stronger which was good and believable. The hugs, the need, yet still reeling from the return series and stuff-made it difficult to follow all Elena has done. In the end SE fans will rejoice...but despite feeling out of place, its not a bad read. I rated it low simply because I felt let down at the climax after a nice build, the way that it was pieced together was as well done as could be. This was based on this book alone and not any of the other books. This review's critical aspect is simply my opinion based off all books together and this conclusion to the series. I wrote it like this for all of the fans who will not read.

Destiny rising is a good read, but not one that stuck out to me over all. I think it was the lack of some spark. Though I am a DE fan, I was ok with the end even if I didn't 'like' it. I kind of shrugged myself, but many of ya won't. Read it, share it, but try it out. I think it will be most liked of the three. (aside the triangle and ships of course)

14 of 15 people found the following review helpful.
What an Unbelievable Mess
By R A. F. Poirier
All the characters are suddenly different people who act as though the entirety of the past series has not happened. I think that the original Author had taken the series to a more true sci-fi/fantasy place (moons and planets in alternate dimensions, various beings of various races, a possible revolt to free enslaved humans, etc.)and that it might not have been everyone's cup of tea. I get that. However, it happened. Damon and Elena and Damon and Bonnie and Damon and Meredith and Bonnie spent time together that changed their relationships in a fundemental way. Stephan was tortured. Elena destroyed a moon, and was harmed (publically and painfully had her wings clipped and her power drained--something that must have changed the taste of her blood, I might add) in an attempt to get Damon back. Elena and Damon make promises, vows, and plans to return to the Dark Dimension and free the slaves. They both start to see beyond themselves. Elena grows beyond her "need" for Stephan (she learns to function without him while going to rescue him) and gets set up as a stronger hero, someone who will save thousands of slaves or die trying. These things happened. The new author, however, ignores it all, instead riding on the coat-tails of the success of the TV show and tries to turn the series back into a younger-feeling small-town normal-girl loves vampires type story. The new author fails to realize that the TV show does not have the problems with inconsistency that s/he creates here. The show is successful because it handles itself well with backstory and character growth (ok, it could use some more of that)and doesn't feel constrained (AT ALL) by anything in the book. They turn Elena into a shadow of the TV Elena, absolutely forgetting the book Elena's previous strengths as a hero, faults that she reveled in (pride, loving to be "worshipped and adored," stubborness, etc.), and connections to Bonnie and Damon.

Meredith suddenly gets a lifetime of training beyond a few martial arts classes where previously her parents had sheilded her from the hunter-slayer life. Bonnie goes from being someone who loves Elena, Damon, and Meredith above everything else to someone who seems completely disinterested in Damon and who is distrustful of Elena and Damon. Damon has apparently completely lost his caring love for Bonnie. He turns into someone else--I'm guessing the new author just didn't like him much, and couldn't write anything from his perspective that was even halfway believable or endearing.

Elena is a weak mess, acting worse with her guys, dumping them (huh?)randomly (and Bonnie does this too with her guy) and cheating on both of them with each other at various times. She treats Damon as some cheap physical fling all the while insisting she cares for him as a brother-in-law type (this had been addressed previously and when she was honest with herself she new that it was NOT how she felt about him) and nothing more. She casts him aside often and cannot see things from his perspective (empathy is gone from this Elena). She treats Stephan like he isn't important (um, cheating on him and all) all the while insisting he is her only real option. She even uses (il)logic to reach that conclusion: "I have two choices, Damon and an inhuman but exciting life, and Stephan and a chance at normalcy (since when does she want that? With a vampire??). However, now I am going to cease being human and become a Guardian (when she and Damon had previously shared a particular distrust of them)so my only choice is obviously Stephan." HUH? So, we've got a cheating, lying, irrational, uninteresting, unwitty Elena who has seemingly forgotten all of her previous plans and committments (to save an entire dimension of enslaved humans, to be more honest with herself about Damon, etc.). How is this better? What was the point?

I thought for a moment at the end that the author was going to prolong the love triangle or make Elena reconsider Damon with the last-minute loophole introduction of the life-long bond between her and Damon (oh, and now that bond is forever because she drank that half-explained water?). However, they don't follow that to it's logical conclusion--that there is probably only one person (or a few if the group still functioned as the group it was in the other books) that he can drink from given the new restrictions: ELENA. They feel each other's feelings now, without boundaries. They love each other. I'm sorry, but all of that together trumps any devotion to Stephan. Given enough time, it just would wear at their relationship (she has a life-long connection to someone else that cannot go away. oh, and he can only drink her blood). If the author was trying to tidy up the triangle and eliminate Damon so Elena and Stephen would be together forever that was just a stupid thing to do. And it certainly didn't win any points for any Damon fans.

Oh, and Elena's family is a lie. Her mom was older than her boyfriends, Katherine is her SISTER,and her parents knowingly conceived Elena and her little sister in order to kill all the Old vampires. You know, if they wanted to. Katherine is now a saint and somehow went somewhere when she died and got sane and knowledgable about her family tree (despite all that pesky previous talk about Vampires ceasing to exist anywhere when they die). Yeah. There was also no mention of Sage's dog or hawk (small oversight, but they were kind of important previously).

This book was a mess of inconsistencies, half-attempts at changing the book series to match the TV series, and a ridiculous and disappointing conclusion to the issue of Damon/Elena/Stephan. The thing with fantasy series is that they're ridiculous things to begin with. But when they are good they grab hold of the reader, drag them into this other world, and make them not care how silly it all really is. If the characters make you care, if the plot is interesting, if the love feels real, it works and is magical. The series was getting there (it was fun and I liked it despite all my high-handed notions of literature). But then THIS BOOK happened. Why, I really don't think I will ever understand.

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donderdag 2 juni 2011

[B747.Ebook] Download PDF Properties of Materials: Anisotropy, Symmetry, Structure

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Properties of Materials: Anisotropy, Symmetry, Structure

  • Published on: 1700
  • Binding: Paperback

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dinsdag 24 mei 2011

[W816.Ebook] Free PDF The Berenstain Bears and the Spooky Old Tree, by Stan Berenstain, Jan Berenstain

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The Berenstain Bears and the Spooky Old Tree, by Stan Berenstain, Jan Berenstain

Illus. in full color. Three brave little bears explore the inside of a mysterious old tree and go into, up, through, over, down, and out.

  • Sales Rank: #2756 in Books
  • Brand: Random House Books for Young Readers
  • Published on: 1978-09-12
  • Released on: 1978-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x .35" w x 6.73" l, .44 pounds
  • Binding: Hardcover
  • 48 pages

Review
In this perfect-for-small-hands, sturdy board book version of a deliciously shivery, easy-to-read Berenstain Bears Bright and Early Book, three brave little bears explore the inside of a mysterious old tree and go into, up, through, over, down, and out. Simple rhyming text teaches the concept of directions as beginning readers enjoy a story and illustrations filled with thrills and chills of the gentlest kind.

Over the course of fifty years, Stan and Jan Berenstain wrote and illustrated hundreds of books about the Berenstain Bears in dozens of formats, from board books to beginning readers. Some of the most enduring are the stories in the groundbreaking Bright and Early Books and Beginner Books series.

From the Inside Flap
Illus. in full color. Three terrified little bears explore the inside of a mysterious old tree and go "into, up, through, over, down, and "out.

About the Author
Stan and Jan Berenstain were both born in 1923 in Philadelphia.��They didn't know each other as children, but met later at school, at the Philadelphia College of Art.��They liked each other right away, and found out that the both enjoyed the same kinds of books, plays, music and art.��During World War II, Stan was a medical assistant in the Army, and Jan worked in an airplane factory.��When the war was over, they got married and began to work together as artists and writers, primarily drawing cartoons for popular magazines.��After having their two sons Leo and Michael, the Berenstains decided to write some funny children's books that their children and other children could read and enjoy.��Their first published children's book was called The Big Honey Hunt .��It was about a family of bears, who later became known as the "Berenstain Bears".��

Since their inception, the Berenstain Bears stories have expanded to include picture books, beginning readers, and chapter books--even a hit TV show on PBS. Writing and illustrating the books has become a Berenstain family affair. Mike joined with his parents as a creative team in the late 1980s. The Bear family has expanded over the years as well. Sister Bear arrived in 1974, and baby Honey joined the family in 2000.

Though Stan died in 2005 and Jan in 2012, Mike continues to create the delightful Berenstain Bear adventures from his studio in Pennsylvania.

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0 of 0 people found the following review helpful.
Glad there are board books to start the series early
By Courtney W M
Glad that there are Berenstain Bear board books so I can start my son on the series early. It is an abridged version, so don't expect tons of pages. Great quality and size.

0 of 0 people found the following review helpful.
This was one of my favorite books as a child
By Teephonay
This was one of my favorite books as a child. My husband and I purchased this to read to our son. We are happy to be able to share some classics from our childhood with him.

0 of 0 people found the following review helpful.
My 3 1/2 yr old grandson continues to enjoy this book because grandma gets worried and it all ...
By Margaret
My 3 1/2 yr old grandson continues to enjoy this book because grandma gets worried and it all works out well. "It's just a book, grandma."

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donderdag 19 mei 2011

[X992.Ebook] Get Free Ebook Learning Through Feedback: A Systematic Approach for Improving Academic Performance, by Ron Van Houten

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Learning Through Feedback: A Systematic Approach for Improving Academic Performance, by Ron Van Houten

  • Sales Rank: #5043527 in Books
  • Published on: 1980-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 192 pages

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woensdag 18 mei 2011

[K549.Ebook] Ebook The Lord Is Your Shepherd You Shall Not Want, by Bessie Beihl

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The Lord Is Your Shepherd You Shall Not Want, by Bessie Beihl

Cover is light green stapled wraps with black writing and Bessie Beihl logo. Spine is black with light green writing. A scarce title in near perfect condition. Copyright 1939.

  • Sales Rank: #4229741 in Books
  • Published on: 1965
  • Binding: Paperback
  • 76 pages

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Five Stars
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dinsdag 17 mei 2011

[J205.Ebook] Free Ebook Riding on the Edge: A Motorcycle Outlaw's Tale, by John Hall

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Riding on the Edge: A Motorcycle Outlaw's Tale, by John Hall

Riding on the Edge: A Motorcycle Outlaw's Tale, by John Hall



Riding on the Edge: A Motorcycle Outlaw's Tale, by John Hall

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Riding on the Edge: A Motorcycle Outlaw's Tale, by John Hall

Ride with author John Hall into the turbulent world of 1960s bike club culture, from his beginnings at an upstart motorcycle club to his rise to the Long Island chapter president of the Pagans, a club that the FBI called “the most violent criminal organization in America.” Follow him into the Pagan heartland of Pennsylvania where he fell in love, got in a roadhouse brawl over a honky-tonk angel, and eventually went to jail for “takin’ care a club business.” Now after a career as a journalist and college professor, he returns to the violent days of his youth and smashes up stereotypes like he once smashed up bars, resurrecting long-dead brothers in a style reminiscent of Jack Kerouac and Mark Twain. Hall presents them as they really were: hard living, hard loving, hard drinking, hard fighting rebels, but also hardworking, patriotic, loyal, and lovable characters. Outlaws, yes, but outlaws as American as apple pie.

  • Sales Rank: #858677 in Books
  • Brand: Brand: Motorbooks
  • Published on: 2011-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Review
RoadRUNNER Magazine

“If you've ever dreamed of being an outlaw, you might think each chapter of Riding on the Edge is a badass bedtime story for adults. But if anecdotes of beer drinking and womanizing don't appeal to your inner rebel, then the thought-provoking reflections of author John Hall might interest you. A college professor and political columnist, Hall's "first life" was spent riding a Triumph in the 1960s with the outlaw club, the Pagans. Ever wondered why bikers get a bad name? Riding on the Edge breaks down the stereotypes and newspaper headlines to reveal the raw moments in time which spawned them. And there is no shortage of historical references or interesting facts in this book. However, John Hall's writing is so down-to-earth it seems as if you're listening to a favorite uncle spin a tale. And with characters like Satan, Big Dutch, & Sleepy weaving in and out of the storyline, you may never want that tale to end.”

Motorcycle.com Review by Dustin Woods (5.28.09)

"Few people are able to retrospectively recount the life of an outlaw biker with such accuracy and candor as John Hall, mostly because few people so deeply entrenched within such a culture ever make it out alive. If rival gangs, bar brawls or bike accidents don’t kill them, years of hard drinking and hard living usually do. Hall is an exception to these rules as he successfully transcended this great divide. Proving that sometimes our justice system actually works and men can be rehabilitated, Hall turned his life around from being the leader of an outlaw motorcycle gang the FBI called “the most violent criminal organization in America” and being incarcerated to becoming an acclaimed journalist and college professor.

Hall demonstrates eloquence and intellect, traditionally unheard of with first person recounts of biker culture. Documenting historical sociological connections to the beliefs and brotherhood of medieval Vikings, Hall paints a sometimes entertaining, occasionally chilling picture of men who live beyond the boundaries of our society yet will do anything to uphold the sacred values and tradition of their heritage. While other biker clubs were merely cruising for chicks and looking for kicks, Hall explains how the Pagans became one of the most feared and respected clubs in the country. Men who lack the fear of pain, death or any consequences whatsoever create a truly unruly and terrifying opponent. The often vulgar yet intuitive book definitively explains where biker culture stems from within our society and more specifically the individual, offering incredible insight into the hearts and minds of men who were vicious and violent, while at the same time adamant at preserving the structure and sanctity of their brotherhood, at all costs. Not merely anarchy for the sake of it, Hall effectively describes this truly fascinating dichotomy.

While often glorifying a lifestyle that shocked and terrified the dreams and towns of law-abiding citizens, Hall also portrays the grim reality of the consequences that befall the men who live outside the laws of society. Whether you are interested in the sociology of such sub cultures or just want to read a firsthand account of life within an outlaw biker club, Riding on the Edge will surely quench this thirst like a cold beer at a biker rally."



Steppin' Out Magazine

“Unlike a ranting hoodlum who might say whatever he feels like saying or exaggerate details, this author did his homework with regard to facts, figures and dates. This is truly a smart, solid and just plain damn good read! If you would like to tak ea look back through the window of time to the late 60’s biker scene at its most intense level, you should pick up a copy of Mr. Hall’s book.”

From the Back Cover

In the 1960s, John Hall, a Harley-riding hell-raiser, hooked up with the Pagans, a group of like-minded individuals who went on to become the largest outlaw motorcycle club on the East Coast. Hall and the Pagans rode roughshod across the Eastern Seaboard throughout the 1960s, until John and six other Pagans ended up in the Pennsylvania State Penitentiary. While in prison John began taking college classes and earned several degrees.�Now after a career as a journalist and college professor, he returns to the violent days of his youth and smashes up stereotypes like he once smashed up bars, resurrecting long-dead brothers in a writing style that is part Raymond Carver and part Jack Kerouac. Hall presents the Pagans as they really were: hard-living, hard-loving, hard-drinking, hard-fighting rebels, but also hardworking patriots, loyal, lovable characters, a band of brothers whose outlandish behavior forged an all-American outlaw legend in the tradition of Jesse James, Doc Holliday, John Dillinger, and Pretty Boy Floyd.�Riding on the Edge: A Motorcycle Outlaw’s Tale tells the story of John and the Pagans as they rode hard through the tumultuous decade of the 1960s, doing their damnedest to die young and leave good-looking corpses.�Bikernet.com “This is a good story about a lifestyle and chapter in American history that we will never see again. Back when America was a free country and you were innocent until proven guilty, before political correctness and before the patriot act. Read this and remember or imagine what it must have been like to be so free!”�Motorcycle.comFew people are able to retrospectively recount the life of an outlaw biker with such accuracy and candor as John Hall, mostly because few people so deeply entrenched within such a culture ever make it out alive. If rival gangs, bar brawls or bike accidents don’t kill them, years of hard drinking and hard living usually do. Documenting historical sociological connections to the beliefs and brotherhood of medieval Vikings, Hall paints a sometimes entertaining, occasionally chilling picture of men who live beyond the boundaries of our society yet will do anything to uphold the sacred values and tradition of their heritage. Whether you are interested in the sociology of such sub cultures or just want to read a firsthand account of life within an outlaw biker club, Riding on the Edge will surely quench this thirst like a cold beer at a biker rally.�RoadRUNNER Magazine“Riding on the Edge breaks down the stereotypes and newspaper headlines to reveal the raw moments in time which spawned them. John Hall's writing is so down-to-earth it seems as if you're listening to a favorite uncle spin a tale.”

About the Author
A former chapter president of the Long Island Pagans, John Hall has done time in the state pen, as well as Penn State, where he taught history, American studies, rhetoric, and mathematics. He also worked as bouncer, bartender, bookmaker, stonemason, professional gambler, law clerk, and freelance journalist. He has written over 400 syndicated opinion columns, which have appeared in over a dozen newspapers, including the Houston Post and Pittsburgh Post-Gazette. He has raised seven children, half the time as a single parent. He currently lives in a 127-year-old dilapidated farmhouse in the Appalachian Mountains, where he seeks what George Jean Nathan once described as the three essentials of life: reasonable well prepared food, a moderately alcoholic diet, and the amiable company of amiable women.

Most helpful customer reviews

24 of 28 people found the following review helpful.
Superb Effort
By Gregory A. Walker
"Riding on the Edge" is, IMHO, the finest work of 1%er biker literature on the stands today. Written by an Old School biker and original member of the Pagans MC, this is a thoughtful, respectful and captivating story of what it was like to be a 1960s motorcycle outlaw.

Written by John Hall, today a professional journalist and academic, Hall's book eclipses Sonny Barger's very successful effort (Hell's Angel) and, when compared, makes a mockery of Ruben "Doc" Cavazo's recent book about himself (oh, and the Mongols MC, too).

"Riding" is a wonderful read with the best outlaw biker book cover on the stands to date. Well worth the purchase.

10 of 11 people found the following review helpful.
A Unique Work
By David Burr
This is certainly the most well-written book by an ex-insider that was close to or at the top of one of the major 1% clubs. John Hall is a literate guy who seems to borrow some of his style from Hunter S. Thompson among others. Unlike some of the drivel that is being pumped out by some real and imagined ex-outlaws, Hall's work is superbly readable.

The only knock I have on it, and it's a Catch-22 endured by all authors in Hall's position, is that he really isn't in a position to tell us what we want to hear about some of the more "outlaw" aspects of his life with the club. He isn't going to implicate himself or others. Doc Cavazos' book about the Mongols has the same issue - there are stories to tell, but what can he do without harming his brothers? In this vein, I would say that Sonny Barger's book "Hells Angel" comes the closest to getting at the "meat." But Sonny has a huge advantage because of the ability to allude to untold published articles, stories, books, truths, untruths, etc. about the Hells Angels. There is so much out there for Sonny to address that he doesn't run the risk of exposing anything new. John Hall doesn't have that luxury.

In addition, Hall, like Cavazos, exhibits very little ego in this writing. This makes for what seems to be pretty honest, if a bit bland, account of the life as a club leader.

Also, I would have to say that the knock Hall tosses in at the end about people like Yves Lavigne and Anthony Tait is a bit clumsy, because it is out of place. But he is dead on.

This is your book if you want to experience real writing while getting an excellent account of the development of the Pagans as a club, and maybe a little history of the people and culture of eastern Pennsylvania thrown in as a bonus!

75 of 101 people found the following review helpful.
Fact and Fiction
By Ronnie H.
In 2006 John Hall's literary agent James Fitzgerald of New York contacted us about the book. At that time Fitzgerald was informed that John Hall in fact did not have authorization to write, print or publish any thing about the Pagan's MC. John Hall has never contacted the club at all to seek authorization. The book is interesting to read for the most part, however it is by no means a acurate and true account of the 1 1/2 years that John Hall was a member of the club. Not only is it an exageration of his own status and position within the club, but also certain alleged events written of in the book are totally fictional and never happened. For the most part he dropped names of men that are dead now, however others are still alive and atest to the false nature of this personal account of John Hall. John Hall was nothing more than a spoke in a wheel. John Hall is not a original member of the club and does not have the respect or honor that position would grant.
Pagan Ronnie 1%
Pagan's MC

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